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John's Fishing Village

by The Nephews and a Niece

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1.
Engage 01:39
I cannot put my finger on the realm of memory Evoked by things in passing that you just happen to see Was it something from a film or a picture in a book? Something that seems present when you just happen to look Something from the twenties, something by the beach Something of the trees that must needs stay out of reach Something from the past that is still there in the night Something from a painting, the color and the light
2.
Quiet 01:19
Many things are quiet in the morning light Like mountains when the day begins up near A tree is glittering in the late afternoon These are some things from which you do not hear Things do not look the same at different times of day The light makes color through the atmosphere And sometimes up there filtered from behind a cloud It is a thing from which you do not hear The music that is playing is a song recorded forty years ago You close your eyes and hear the tune And fall asleep, you’re somewhere in some dream And that’s a quiet realm for you Here in the light of afternoon
3.
I learned to look, to look at the buildings that run along the sidewalk I always forget until I remember to turn off the inner talk On the streets, the lamps come on From buildings casting light I’ve never seen this street before But something strikes me right People they live, they live in these buildings A life in another place Still here from the old world, the lights on the fourth floor We’ve entered a different space
4.
Light Boxes 02:18
Light boxes are on tonight People waiting for a flight Advertising airline names They’re encased in metal frames Flying up over the town Plane is starting to come down What’s the weather like out there? Step outside and feel the air Light boxes in corridors Escalator to other floors Soon we’ll see some new terrain Going there in an airplane
5.
I could live here in modern apartments I could live here in condominiums I could live here if I had another life I could live again I could live here I could live here in industrial spaces I could live here if it’s not gentrified I could live here if things went a certain way I could take a chance I could live here I could live here in human form If everything adds up just so A viable scenario for life To live in this abode And go on down the road Look at the view from here Let’s go another year
6.
This is the city, built on the hillside This is the sunshine, this is a car ride This is the sixties, these are TV shows This is 2000s, that’s how the time goes Cars lined up in the parking lot, the heavy metal parking lot We want to live more centrally, we want to live more vertically These are the pamphlets for the locations Hotel lobbies, people’s vacations This is the city
7.
I would not argue with the sun or with the periwinkle sky I live between the desert and the sea The seasons and the calendar, the ways we have to measure time They place me in present reality The map reference point, the distance from July The palm trees are evergreens propped up against the sky The structures that remain, mid-century design Cruising the 714 and 619 You lived there with your record collection You lived there upon the second floor The wind carries the essence of the ocean There are condos built in 1994 The map reference point, experiential truth Exit Katella Avenue and pull up to the booth The structures that remain, mid-century design Cruising the 714 and 619
8.
Tipai-Ipai 01:54
This is the Brady Bunch house This is the place where the Seeds rehearsed This is a bedroom community Built in the sixties but not here first Land of Tipai-Ipai, a place where we are lucky to be The cliffs looked out on the ocean before the sixteenth century This is a baseball park Expansion franchises out on the coast Portraits of the all stars Hung from facades and from a lamppost Land of Tipai-Ipai, where the sun sets behind the sea Granite hills and tablelands, let’s build a better history

credits

released February 18, 2022

Charles Brownell - Drums
April Drury - Keyboards, Accordion, Vocals
Tim Ellison - Guitar, Vocals
Colin Watson - Bass, Vocals

With Dean Reis - Bass drum on "Map Reference Point"

Produced by the Nephews and a Niece with Ben Moore.
Recorded and mixed at Singing Serpent Studios, November 2021 - February 2022.
Engineered by Ben Moore and Dean Reis.

I met this guy one time around 1993. He was visiting San Diego, I think something to do with the art or writing department at UCSD. Anyway, he told me he was trying to find out from people involved in the arts how they felt their art was related to the environments they lived in, including the buildings, etc. Urban environments, I suppose. For myself, I wasn't really sure at the time, but I kept thinking about it.

I always wanted to make music that sounded like the place it was from. Why? Because I always liked music that did this for me. I never knew if my own music did it. Something about California seeming like a blank slate or something. In any case, I no longer think that. - T.E. 2/18/22

Mixed in mono.

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The Nephews and a Niece San Diego, California

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